| EBAY | 
An ebay listing, I know many 18th century staymakers also make corsets from other time periods.
| EBAY | 
 The white patch is an old paper label, not a part of the stays.
Knowing that Center Back is 7 inches and we deduct one and a half inches for the protruding tab, the body of the stays at center back is only 5.5 inches long.  There are two bones at Center Back, two slanted bones at Side Fronts and two bones at Center Front.  The back shows the typical configuration of eyelet holes for spiral lacing.
Blue linen stays, bound in white kid and white kid along seam lines.  According to the auction house they are American in provenance.  The very pale shade of blue is interesting, since up until now I have only seen a deep indigo or logwood shade of blue used on stays.  This is a much less intense shade.  The lining is obviously missing, but another nice example to add to the database.
This side view gives a really good look at how those slanted channels and curved side seams shape the body.  What you don't see is how narrow these boning channels actually are, having looked at many similar, I would estimate that the bones are no more than 5mm and could actually be less.  Once again in this time period the outer fashion fabric is a plain shade of beige/brown cotton.  The leather binding of the stays is now being replaced by linen or cotton tape.  The fingers/tabs are more tooth like and less rounded than in earlier stays.
The partial front lacing allows for some accommodation to round out the shape.  There are two sets of lacing holes, one to actually draw in the stays and another for a decorative ribbon. The front is very narrow with the boning pattern drawing the bust in and the shoulder straps providing support.  This is a very nice pair of later stays.
So armed with my new toy, and a camera with a good macro lens, off to the stays!
 Measures:
These are the threads from left to right, I did not bother to measure my fine linen threads, as only the thicker ones came close to the original threads.
From the London Magazine for July 1737 and reprinted in the Boston  Gazette, September 26, 1737.


These stays from the Brooklyn Museum, now held at the Met in NYC, also has the tabs completely sewn down and in this view, the rising waistline of the changing gown style is pretty visible.  The olive green linen worsted suggests the possibility that these stays were remodeled from an earlier pair.  Green worsted was a popular covering for stays of the 3rd qtr.  Worsted is less frequently found in the fashionable 1780s stays, where brown linen and cotton predominate as fashion fabrics.
These stays were at auction on Ebay.


 This advertisement for "wove" stays is of great interest. This female staymaker has wove stays in stock, and also has imported patented stay cloth for those wishing to have custom stays made in Newport. The advantage of wove stays as advertised is that the stays will wash and look as "fresh as when new". Certainly an advantage over stays that cannot be washed, having not seen or heard of "wove" stays prior to finding this advertisement, more research to follow. Gentle readers, if anyone has encountered such an item as "wove" stays please let this blogger know!
 In this image, you are looking at the front section (proper right) and the joining of the next section to it of the Child's Stays. There are four different fabrics in this image, the white linen on the inside of the front sections, the nutty brown fashion fabric from the right side of the stays (turned to the inside), coarse linen buckram and another brown linen of a different weave to the right of the front section, acting as a re-enforcing strip.   You can see the back side of the boning channels which were sewn with a back stitch and  linen thread .  Notice that the linen thread used to sew the seam allowance to the stay sections is of another quality and is used doubled, very commonly found in adult women's stays.
 This colorful print shows us a gentleman being called to hounds first thing in the morning, one slipper on and one off! His lady still laby abed wearing her nightcap and shift/nightgown with her stays discarded on the chair, note again the stays are depicted as a light white/cream color and are showing the roundness of the body.
 This image gives a good view of the interior linen strip re-enforcements and also the holes for lacing on the Child's Stays.   Notice that the eyelets holes are offset, just as in an adult's pair (two close to the top on the proper left and two close to the bottom on the proper right).  The eyelet holes appear rather large and could have been made using an awl or a punch.   Of interest is how coarse and quick the stitching is holding down the seam allowances to the interior of the stays.
 Continuing to look at the Child's Stays from the inside, the tabs are lined individually in white leather and both the bottom and top of the stays are bound in white leather. This is very typical, lining each tab individually allows for movement of the tabs to spread out over the hips, and while these tabs are really not necessary  (children do not have have hips to spread over) the technique used in adult stays is mirrored in this child's pair.
 The lining of the Child's Stays from the previous posting is fortunately for the purpose of study missing. This allows us to view the interior and offers a great deal of information about how these stays were made.
 An original pair of child's stays from a Connectictut estate sold on Ebay.  The stays measure 8 and 1/2 inches in length at center front and 9 and 1/2 inches at center back.  The width of the stays is 19 inches. A current industry standard for children's clothing has a two year old child with a chest and waist of 20 inches and hips of 21 inches, making this set of stays suitable for a very small child.
 This print based on an early sketch by Hogarth, has the staymaker fitting a client in her home.  Her son is looking on with great curiousity as another child is busily pouring a drink into fathers hat.  He is lounging in banyan and cap while playing with the baby.  The client is very interested in the fit of her stays and has her maidservant holding a mirror so she can check the fit of the back.
 This print entitled " A Late Scene at Barnet" c 1770, has the typical lover jumping out the window upon discovery. Unknown to this blogger is the significance of the word "Barnet". It could be a manor, town or even be referring to a person but it has some meaning to the 18th century public purchasing this print and could even be a political statement of some sort. Of interest is the set of stays tossed off to the side of the bed on top of the chair. These stays have the decorative cording often seen on stomachers and shoulder straps.